The starting point of the project was personal. Midjourney had become a way of externalising mental cartography, pulling shapes, atmospheres and worlds out of thought into image. A flat grid felt wrong as a container for that kind of material. The 3D environment was not a technical choice. It was the only spatial logic that matched how the images came to exist.

From there, every interaction decision followed the same constraint: movement should feel earned, not instructed. The cursor drives displacement across depth layers. HUDs provide spatial coordinates and axis controls without breaking immersion. A control panel exposes the full spatial logic of the environment : six axes of movement, bilateral rotation, and a spread parameter that redistributes objects across the canvas. Text scramble on key elements reinforces the sense of entering an unstable, generative space.